<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:googleplay="http://www.google.com/schemas/play-podcasts/1.0"><channel><title><![CDATA[The Subtext Review: Overtones]]></title><description><![CDATA[Where the body draws meaning from motion]]></description><link>https://www.thesubtextreview.com/s/overtones</link><image><url>https://substackcdn.com/image/fetch/$s_!Yp2u!,w_256,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F60b3b13c-cdc5-4653-a541-44ac5316d27a_800x800.png</url><title>The Subtext Review: Overtones</title><link>https://www.thesubtextreview.com/s/overtones</link></image><generator>Substack</generator><lastBuildDate>Fri, 29 May 2026 16:23:25 GMT</lastBuildDate><atom:link href="https://www.thesubtextreview.com/feed" rel="self" type="application/rss+xml"/><copyright><![CDATA[Neil Czeszejko]]></copyright><language><![CDATA[en]]></language><webMaster><![CDATA[thesubtextreview@substack.com]]></webMaster><itunes:owner><itunes:email><![CDATA[thesubtextreview@substack.com]]></itunes:email><itunes:name><![CDATA[Neil Czeszejko]]></itunes:name></itunes:owner><itunes:author><![CDATA[Neil Czeszejko]]></itunes:author><googleplay:owner><![CDATA[thesubtextreview@substack.com]]></googleplay:owner><googleplay:email><![CDATA[thesubtextreview@substack.com]]></googleplay:email><googleplay:author><![CDATA[Neil Czeszejko]]></googleplay:author><itunes:block><![CDATA[Yes]]></itunes:block><item><title><![CDATA[Relief in a False Room]]></title><description><![CDATA[Sound and sequence &#183; 04]]></description><link>https://www.thesubtextreview.com/p/overtones-relief-in-a-false-room</link><guid isPermaLink="false">https://www.thesubtextreview.com/p/overtones-relief-in-a-false-room</guid><dc:creator><![CDATA[RUIIN]]></dc:creator><pubDate>Tue, 07 Apr 2026 11:02:55 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/2a9d8de8-c1a8-4dfe-a564-d1e6e36f8d9c_1275x850.png" length="0" type="image/jpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!c7Qm!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F95eb4570-d6b5-4479-a197-63ec85de7f6d_1275x850.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!c7Qm!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F95eb4570-d6b5-4479-a197-63ec85de7f6d_1275x850.png 424w, https://substackcdn.com/image/fetch/$s_!c7Qm!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F95eb4570-d6b5-4479-a197-63ec85de7f6d_1275x850.png 848w, https://substackcdn.com/image/fetch/$s_!c7Qm!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F95eb4570-d6b5-4479-a197-63ec85de7f6d_1275x850.png 1272w, https://substackcdn.com/image/fetch/$s_!c7Qm!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F95eb4570-d6b5-4479-a197-63ec85de7f6d_1275x850.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!c7Qm!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F95eb4570-d6b5-4479-a197-63ec85de7f6d_1275x850.png" width="1275" height="850" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/95eb4570-d6b5-4479-a197-63ec85de7f6d_1275x850.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:850,&quot;width&quot;:1275,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:219732,&quot;alt&quot;:&quot;Cover for the short film \&quot;Relief in a False Room\&quot;: A profile study of a man with white butterflies obscuring his eyes. The layout features a muted lilac field with a secondary inset image in the top-left and minimalist production credits in the bottom-left. Part of the Overtones series at The Subtext Review.&quot;,&quot;title&quot;:null,&quot;type&quot;:&quot;image/png&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://www.thesubtextreview.com/i/193437287?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F95eb4570-d6b5-4479-a197-63ec85de7f6d_1275x850.png&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="Cover for the short film &quot;Relief in a False Room&quot;: A profile study of a man with white butterflies obscuring his eyes. The layout features a muted lilac field with a secondary inset image in the top-left and minimalist production credits in the bottom-left. Part of the Overtones series at The Subtext Review." title="Cover for the short film &quot;Relief in a False Room&quot;: A profile study of a man with white butterflies obscuring his eyes. The layout features a muted lilac field with a secondary inset image in the top-left and minimalist production credits in the bottom-left. Part of the Overtones series at The Subtext Review." srcset="https://substackcdn.com/image/fetch/$s_!c7Qm!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F95eb4570-d6b5-4479-a197-63ec85de7f6d_1275x850.png 424w, https://substackcdn.com/image/fetch/$s_!c7Qm!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F95eb4570-d6b5-4479-a197-63ec85de7f6d_1275x850.png 848w, https://substackcdn.com/image/fetch/$s_!c7Qm!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F95eb4570-d6b5-4479-a197-63ec85de7f6d_1275x850.png 1272w, https://substackcdn.com/image/fetch/$s_!c7Qm!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F95eb4570-d6b5-4479-a197-63ec85de7f6d_1275x850.png 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><div><hr></div><div class="native-video-embed" data-component-name="VideoPlaceholder" data-attrs="{&quot;mediaUploadId&quot;:&quot;e9cc2915-9f80-4824-9d06-2450a6b51c4b&quot;,&quot;duration&quot;:null}"></div><div><hr></div><div class="callout-block" data-callout="true"><h2>Credits</h2><p><strong>Photography:</strong> cottonbro studio</p><p><strong>Music:</strong> Elijah_K</p><p><strong>Video Editing:</strong> RUIIN</p></div><div><hr></div><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://www.thesubtextreview.com/s/overtones&quot;,&quot;text&quot;:&quot;Visit the Projection Room&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://www.thesubtextreview.com/s/overtones"><span>Visit the Projection Room</span></a></p><div><hr></div><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.thesubtextreview.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Stay with the subtext. Discover the next layer.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div>]]></content:encoded></item><item><title><![CDATA[Post-Human Archive: Choreography Without Bodies]]></title><description><![CDATA[Sound and sequence &#183; 03]]></description><link>https://www.thesubtextreview.com/p/post-human-archive-choreography-without-bodies</link><guid isPermaLink="false">https://www.thesubtextreview.com/p/post-human-archive-choreography-without-bodies</guid><dc:creator><![CDATA[RUIIN]]></dc:creator><pubDate>Tue, 09 Dec 2025 12:31:43 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/5bacee50-98df-4523-b95d-0cced4ba896a_1275x850.png" length="0" type="image/jpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!9vfh!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fde2f9b37-1ca4-455d-a855-a5877c773a32_1275x850.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!9vfh!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fde2f9b37-1ca4-455d-a855-a5877c773a32_1275x850.png 424w, https://substackcdn.com/image/fetch/$s_!9vfh!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fde2f9b37-1ca4-455d-a855-a5877c773a32_1275x850.png 848w, https://substackcdn.com/image/fetch/$s_!9vfh!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fde2f9b37-1ca4-455d-a855-a5877c773a32_1275x850.png 1272w, https://substackcdn.com/image/fetch/$s_!9vfh!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fde2f9b37-1ca4-455d-a855-a5877c773a32_1275x850.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!9vfh!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fde2f9b37-1ca4-455d-a855-a5877c773a32_1275x850.png" width="1275" height="850" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/de2f9b37-1ca4-455d-a855-a5877c773a32_1275x850.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:850,&quot;width&quot;:1275,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:208942,&quot;alt&quot;:&quot;Cover for the short film \&quot;Choreography Without Bodies\&quot;: Women draped in voluminous, textured fabrics in shades of marigold and rust, captured in a state of fluid, abstract motion. The layout features an ochre field with a secondary inset image in the top-left and minimalist production credits in the bottom-left. Part of the Overtones series at The Subtext Review.&quot;,&quot;title&quot;:null,&quot;type&quot;:&quot;image/png&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://www.thesubtextreview.com/i/180949101?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fde2f9b37-1ca4-455d-a855-a5877c773a32_1275x850.png&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="Cover for the short film &quot;Choreography Without Bodies&quot;: Women draped in voluminous, textured fabrics in shades of marigold and rust, captured in a state of fluid, abstract motion. The layout features an ochre field with a secondary inset image in the top-left and minimalist production credits in the bottom-left. Part of the Overtones series at The Subtext Review." title="Cover for the short film &quot;Choreography Without Bodies&quot;: Women draped in voluminous, textured fabrics in shades of marigold and rust, captured in a state of fluid, abstract motion. The layout features an ochre field with a secondary inset image in the top-left and minimalist production credits in the bottom-left. Part of the Overtones series at The Subtext Review." srcset="https://substackcdn.com/image/fetch/$s_!9vfh!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fde2f9b37-1ca4-455d-a855-a5877c773a32_1275x850.png 424w, https://substackcdn.com/image/fetch/$s_!9vfh!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fde2f9b37-1ca4-455d-a855-a5877c773a32_1275x850.png 848w, https://substackcdn.com/image/fetch/$s_!9vfh!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fde2f9b37-1ca4-455d-a855-a5877c773a32_1275x850.png 1272w, https://substackcdn.com/image/fetch/$s_!9vfh!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fde2f9b37-1ca4-455d-a855-a5877c773a32_1275x850.png 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><div><hr></div><div class="native-video-embed" data-component-name="VideoPlaceholder" data-attrs="{&quot;mediaUploadId&quot;:&quot;e2373521-466f-4324-8a67-a0cbded1a259&quot;,&quot;duration&quot;:null}"></div><div><hr></div><div class="callout-block" data-callout="true"><h2>Credits</h2><p><strong>Photography:</strong> AI-generated</p><p><strong>Music: </strong>HitsLab</p><p><strong>Conceptual Video Creation: </strong>RUIIN</p></div><div><hr></div><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://www.thesubtextreview.com/s/overtones&quot;,&quot;text&quot;:&quot;Visit the Projection Room&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://www.thesubtextreview.com/s/overtones"><span>Visit the Projection Room</span></a></p><div><hr></div><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.thesubtextreview.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Stay with the subtext. Discover the next layer.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div>]]></content:encoded></item><item><title><![CDATA[When the Skin Hums]]></title><description><![CDATA[Sound and sequence &#183; 02]]></description><link>https://www.thesubtextreview.com/p/when-the-skin-hums</link><guid isPermaLink="false">https://www.thesubtextreview.com/p/when-the-skin-hums</guid><dc:creator><![CDATA[Neil Czeszejko]]></dc:creator><pubDate>Fri, 17 Oct 2025 14:43:20 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/9d46c4a8-63cb-459d-8120-c93a91aee0b0_1275x850.png" length="0" type="image/jpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!iEgc!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb40ce1f5-64ae-461e-bf66-b9710626032e_1275x850.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!iEgc!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb40ce1f5-64ae-461e-bf66-b9710626032e_1275x850.png 424w, https://substackcdn.com/image/fetch/$s_!iEgc!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb40ce1f5-64ae-461e-bf66-b9710626032e_1275x850.png 848w, https://substackcdn.com/image/fetch/$s_!iEgc!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb40ce1f5-64ae-461e-bf66-b9710626032e_1275x850.png 1272w, https://substackcdn.com/image/fetch/$s_!iEgc!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb40ce1f5-64ae-461e-bf66-b9710626032e_1275x850.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!iEgc!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb40ce1f5-64ae-461e-bf66-b9710626032e_1275x850.png" width="1275" height="850" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/b40ce1f5-64ae-461e-bf66-b9710626032e_1275x850.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:850,&quot;width&quot;:1275,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:194900,&quot;alt&quot;:&quot;Cover for the short film \&quot;When the Skin Hums\&quot;: A young man and woman stand in close proximity within a green-tiled corridor, as though about to kiss. The layout features an acidic lime-green field with a secondary inset image in the top-left and minimalist production credits in the bottom-left. Part of the Overtones series at The Subtext Review.&quot;,&quot;title&quot;:null,&quot;type&quot;:&quot;image/png&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://www.thesubtextreview.com/i/176237674?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb40ce1f5-64ae-461e-bf66-b9710626032e_1275x850.png&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="Cover for the short film &quot;When the Skin Hums&quot;: A young man and woman stand in close proximity within a green-tiled corridor, as though about to kiss. The layout features an acidic lime-green field with a secondary inset image in the top-left and minimalist production credits in the bottom-left. Part of the Overtones series at The Subtext Review." title="Cover for the short film &quot;When the Skin Hums&quot;: A young man and woman stand in close proximity within a green-tiled corridor, as though about to kiss. The layout features an acidic lime-green field with a secondary inset image in the top-left and minimalist production credits in the bottom-left. Part of the Overtones series at The Subtext Review." srcset="https://substackcdn.com/image/fetch/$s_!iEgc!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb40ce1f5-64ae-461e-bf66-b9710626032e_1275x850.png 424w, https://substackcdn.com/image/fetch/$s_!iEgc!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb40ce1f5-64ae-461e-bf66-b9710626032e_1275x850.png 848w, https://substackcdn.com/image/fetch/$s_!iEgc!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb40ce1f5-64ae-461e-bf66-b9710626032e_1275x850.png 1272w, https://substackcdn.com/image/fetch/$s_!iEgc!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb40ce1f5-64ae-461e-bf66-b9710626032e_1275x850.png 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><div><hr></div><div class="native-video-embed" data-component-name="VideoPlaceholder" data-attrs="{&quot;mediaUploadId&quot;:&quot;0692114a-b96b-4b74-a122-1fc000c668ec&quot;,&quot;duration&quot;:null}"></div><div><hr></div><div class="native-video-embed" data-component-name="VideoPlaceholder" data-attrs="{&quot;mediaUploadId&quot;:&quot;30b2b13e-a720-4262-9a3e-a341a6a736a5&quot;,&quot;duration&quot;:null}"></div><div><hr></div><div class="callout-block" data-callout="true"><h2>Credits</h2><p><strong>Photography:</strong> cottonbro studio</p><p><strong>Music:</strong> RUIIN</p><p><strong>Video Editing: </strong>Neil Czeszejko</p></div><div><hr></div><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://www.thesubtextreview.com/s/overtones&quot;,&quot;text&quot;:&quot;Visit the Projection Room&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://www.thesubtextreview.com/s/overtones"><span>Visit the Projection Room</span></a></p><div><hr></div><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.thesubtextreview.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Stay with the subtext. Discover the next layer.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div>]]></content:encoded></item><item><title><![CDATA[Breaking Three]]></title><description><![CDATA[Sound and sequence &#183; 01]]></description><link>https://www.thesubtextreview.com/p/breaking-three</link><guid isPermaLink="false">https://www.thesubtextreview.com/p/breaking-three</guid><dc:creator><![CDATA[Neil Czeszejko]]></dc:creator><pubDate>Tue, 07 Oct 2025 13:56:33 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/f7ed4089-f83e-4769-88f5-3daac3fecc2d_1275x850.png" length="0" type="image/jpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!XPjT!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4d0bb213-e646-49d2-83c4-228e8dddf518_1275x850.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!XPjT!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4d0bb213-e646-49d2-83c4-228e8dddf518_1275x850.png 424w, https://substackcdn.com/image/fetch/$s_!XPjT!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4d0bb213-e646-49d2-83c4-228e8dddf518_1275x850.png 848w, https://substackcdn.com/image/fetch/$s_!XPjT!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4d0bb213-e646-49d2-83c4-228e8dddf518_1275x850.png 1272w, https://substackcdn.com/image/fetch/$s_!XPjT!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4d0bb213-e646-49d2-83c4-228e8dddf518_1275x850.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!XPjT!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4d0bb213-e646-49d2-83c4-228e8dddf518_1275x850.png" width="1275" height="850" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/4d0bb213-e646-49d2-83c4-228e8dddf518_1275x850.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:850,&quot;width&quot;:1275,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:151153,&quot;alt&quot;:&quot;Cover for the short film \&quot;Breaking Three\&quot;: Three male teenagers in a candid moment outdoors, full of tension and implied desire. The layout features a periwinkle field with a secondary inset image in the top-left and minimalist production credits in the bottom-left. Part of the Overtones series at The Subtext Review.&quot;,&quot;title&quot;:null,&quot;type&quot;:&quot;image/png&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://www.thesubtextreview.com/i/174838956?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4d0bb213-e646-49d2-83c4-228e8dddf518_1275x850.png&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="Cover for the short film &quot;Breaking Three&quot;: Three male teenagers in a candid moment outdoors, full of tension and implied desire. The layout features a periwinkle field with a secondary inset image in the top-left and minimalist production credits in the bottom-left. Part of the Overtones series at The Subtext Review." title="Cover for the short film &quot;Breaking Three&quot;: Three male teenagers in a candid moment outdoors, full of tension and implied desire. The layout features a periwinkle field with a secondary inset image in the top-left and minimalist production credits in the bottom-left. Part of the Overtones series at The Subtext Review." srcset="https://substackcdn.com/image/fetch/$s_!XPjT!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4d0bb213-e646-49d2-83c4-228e8dddf518_1275x850.png 424w, https://substackcdn.com/image/fetch/$s_!XPjT!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4d0bb213-e646-49d2-83c4-228e8dddf518_1275x850.png 848w, https://substackcdn.com/image/fetch/$s_!XPjT!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4d0bb213-e646-49d2-83c4-228e8dddf518_1275x850.png 1272w, https://substackcdn.com/image/fetch/$s_!XPjT!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4d0bb213-e646-49d2-83c4-228e8dddf518_1275x850.png 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><div><hr></div><div class="native-video-embed" data-component-name="VideoPlaceholder" data-attrs="{&quot;mediaUploadId&quot;:&quot;be568e5e-09e8-43ac-980b-f885b292d089&quot;,&quot;duration&quot;:null}"></div><div><hr></div><div class="callout-block" data-callout="true"><h2>Credits</h2><p><strong>Photography:</strong> cottonbro studio</p><p><strong>Music: </strong>Aleksey Chistilin</p><p><strong>Video Editing:</strong> Neil Czeszejko</p></div><div><hr></div><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://www.thesubtextreview.com/s/overtones&quot;,&quot;text&quot;:&quot;Visit the Projection Room&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://www.thesubtextreview.com/s/overtones"><span>Visit the Projection Room</span></a></p><div><hr></div><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.thesubtextreview.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Stay with the subtext. Discover the next layer.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div>]]></content:encoded></item></channel></rss>